Electronic Music Writing "Jason Wav - Electro Matrix"
I start with the fact that I often like to use Drum Loop's in my compositions.That's how I did and on the same intrus this track that lasts 12 tacts, after which I'm already changing this loup party to my own created and built (unfortunately without the group channel and compressor FabFilter C-2, about this fist at the time I didn't know yet)
Therefore, the composition is quite creative and improvisational from the point of view of the game of the melodies and the complete change of their parties.1 - Into - plays a party of a pleasant deep sound similar to the bell.2 - After the breakdown, the same party rises to one octum above for the diversity of sound and track dynamics.3 - Notes on which the "Collum" party plays - C-C-D-E-C-C-D-C
4 - On 20 tact play a drop of track in which the game of the main and most expressive sound begins, the party of which I one-in-one copied with the party of "collars"
5 - 20 tacts - I don't add a bass to keep the audience's interest and already on 32 tacts previously adding a beautiful reception from the "Snear Running" I add a bass
6 - 40 tacts - I do a hole, beautifully leading to a new melody, which first plays, then turns with the help of a reverse shaker and loses the melody of clocks.7 - Before the drop 2 (44 tact) I add a vocal drop and already loses the very juice drop, in which all the melodies are present, which together create an atmosphere of drive and action (I am very confident that this track will go for the film "Forsage")
8 - Part of the track No2 and exactly 72 tacts, where the rhythm of the main melody changes, this note falls on a weak fate, and here I put it on a strong fate and itself came out not a bad effect of changing the rhythm and mood of the track!9 - And I remember that I still have 4 sounds in this composition:
1- Pad (He begins to play on the background after the intrus)
2- Bells (These are the same clocks, they serve us to add sound to our main electric sound)
3 - Digi (This is the name of this electric sound that is in the standard plugins "Sytrus")
4 - Sawer (Melody that begins to play on 44 tacts).And properly with such rates and rhythms and in addition to the diversity of arrangement with the help of cutting and reverse-cross receipts, as well as the snayer pass, we get here such a saturated and bright track!What about behavior?1 - Cutting empty frequency zones on all tools
2 - Sidechain bottles and bases (bottle made more powerful using equalization processing and multi-band compressor, and bas reinforced using dust)
3 - Hi-Hats browsing to the right-left
4 -For Snare added reversions
5 - Pad made a small noise as it was created to fill the background space, for which I and added to it the extreme room settings.6 - Digi as it is the brightest expressed instrument, I add to it the maximum processing to make it the most distinguished and dominated over all the other parts of the melodies.This is what was added:
- In the 250hz and 3500hz frequencies area there was a 2.5 dB lifting.
- Stereo Shaper - sound divider by channel (L)+(R)
- Delay 2 with Time 8:00 setting for the tool volume
- Sidechain effect with the help of Effector, press "Trans"
7 - After processing all the components of the music, a sound balance was made.
Create a separate portfolio.How was Mastering?In simple words:
First of all, I do a sufficient level of noise so that it is sufficient to the maximum scratched "Volume", without overload and left-wing headsets.Then all is in equalizers where I usually listen to select those frequency intervals that are most contrasted for the listener's ears and lift them relatively not much, temporarily at 0.7 dB and still do the same with the reduction of narrow intervals to balance the entire spectrum of frequencies and already after that everything will sound at a sufficient level of sound.
Therefore, the composition is quite creative and improvisational from the point of view of the game of the melodies and the complete change of their parties.1 - Into - plays a party of a pleasant deep sound similar to the bell.2 - After the breakdown, the same party rises to one octum above for the diversity of sound and track dynamics.3 - Notes on which the "Collum" party plays - C-C-D-E-C-C-D-C
4 - On 20 tact play a drop of track in which the game of the main and most expressive sound begins, the party of which I one-in-one copied with the party of "collars"
5 - 20 tacts - I don't add a bass to keep the audience's interest and already on 32 tacts previously adding a beautiful reception from the "Snear Running" I add a bass
6 - 40 tacts - I do a hole, beautifully leading to a new melody, which first plays, then turns with the help of a reverse shaker and loses the melody of clocks.7 - Before the drop 2 (44 tact) I add a vocal drop and already loses the very juice drop, in which all the melodies are present, which together create an atmosphere of drive and action (I am very confident that this track will go for the film "Forsage")
8 - Part of the track No2 and exactly 72 tacts, where the rhythm of the main melody changes, this note falls on a weak fate, and here I put it on a strong fate and itself came out not a bad effect of changing the rhythm and mood of the track!9 - And I remember that I still have 4 sounds in this composition:
1- Pad (He begins to play on the background after the intrus)
2- Bells (These are the same clocks, they serve us to add sound to our main electric sound)
3 - Digi (This is the name of this electric sound that is in the standard plugins "Sytrus")
4 - Sawer (Melody that begins to play on 44 tacts).And properly with such rates and rhythms and in addition to the diversity of arrangement with the help of cutting and reverse-cross receipts, as well as the snayer pass, we get here such a saturated and bright track!What about behavior?1 - Cutting empty frequency zones on all tools
2 - Sidechain bottles and bases (bottle made more powerful using equalization processing and multi-band compressor, and bas reinforced using dust)
3 - Hi-Hats browsing to the right-left
4 -For Snare added reversions
5 - Pad made a small noise as it was created to fill the background space, for which I and added to it the extreme room settings.6 - Digi as it is the brightest expressed instrument, I add to it the maximum processing to make it the most distinguished and dominated over all the other parts of the melodies.This is what was added:
- In the 250hz and 3500hz frequencies area there was a 2.5 dB lifting.
- Stereo Shaper - sound divider by channel (L)+(R)
- Delay 2 with Time 8:00 setting for the tool volume
- Sidechain effect with the help of Effector, press "Trans"
7 - After processing all the components of the music, a sound balance was made.
Create a separate portfolio.How was Mastering?In simple words:
First of all, I do a sufficient level of noise so that it is sufficient to the maximum scratched "Volume", without overload and left-wing headsets.Then all is in equalizers where I usually listen to select those frequency intervals that are most contrasted for the listener's ears and lift them relatively not much, temporarily at 0.7 dB and still do the same with the reduction of narrow intervals to balance the entire spectrum of frequencies and already after that everything will sound at a sufficient level of sound.
Lutsk 
Available for hire