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Daria Osypchuk

Offer Daria work on your next project.

Czernomorsk, Ukraine

38 minutes back

available for hire

3 Safes completed

3 months 6 days back

3 clients

age 34 years

on the service 8 years

Rating

Successful projects

Average rating

Rating

Interface Design (UI/UX)

252 place out of 2653

Gaming Apps

45 place out of 552

Artwork

AI Art

Clothing design

Illustrations & Drawings

Skills and abilities

Programming

Portfolio

Аналитика. Заработок на Pinterest

Banners

Задача

Я взяла популярную тему заработка через Pinterest и решила посмотреть на неё не как на рекламный баннер, а как на систему.

… Проблема большинства подобных макетов в том, что они сразу показывают результат и обещания дохода, но не объясняют, как это работает.

Моя идея

Мне хотелось показать сам путь.

Как контент попадает в Pinterest, привлекает внимание аудитории, превращается в трафик и приводит к результату.

Как я решала задачу

Я выстроила композицию как визуальную воронку.

Верхняя часть показывает разные типы контента и ниши, которые могут работать через Pinterest.

Затем взгляд переходит к аналитике, SEO и инструментам продвижения.

Дальше весь поток собирается в центральную точку — PIN, после чего превращается в клики, трафик и конверсии.

Внизу находится финальный результат — аналитика и рабочий дашборд.

Итог

Вместо очередного баннера про «лёгкие деньги» получилась визуальная история, которая показывает не обещание результата, а механизм его достижения
Pinterest

Banners

Концепт рекламного макета для Pinterest

Задача

… Большинство материалов о продвижении в Pinterest строятся вокруг графиков, иконок и шаблонных маркетинговых элементов. Такие решения передают информацию, но редко объясняют саму ценность платформы для бизнеса.

Целью проекта было показать не набор функций Pinterest, а путь пользователя от создания контента до получения клиента и продажи.

Решение

Вместо традиционной инфографики я построила композицию как визуальную историю.

В основе макета лежит понятная последовательность:

Контент → Pinterest → Клиент → Покупка

Для этого были использованы реальные категории контента, элементы рабочего процесса и визуальные маркеры результата: заказ, новый подписчик, заметки и пометки автора.

Подход

- Заменила шаблонные иконки реальными изображениями контента.
- Использовала многослойную композицию, создающую ощущение рабочего пространства.
- Добавила рукописные пометки и стикеры, чтобы подчеркнуть участие человека в процессе.
- Сделала акцент на результате работы, а не на абстрактной аналитике.
- Построила макет по принципам визуального сторителлинга, где каждый элемент поддерживает основную идею.

Результат

Финальная концепция воспринимается не как очередная маркетинговая инфографика, а как реальный рабочий стол специалиста, который использует Pinterest для привлечения клиентов.

Такой подход помогает быстрее донести ценность платформы и делает коммуникацию более живой, понятной и эмоционально вовлекающей.
Wardrobe analysis

Banners

Wardrobe Analysis

How I Turned a Static Banner into a Story of Movement

… When I first saw the original layout, I thought it explained the service well, but it didn’t evoke any emotions.

The banner featured a girl, text, and a list of what the service includes. Everything was clear, but there was nothing for the eye to catch. The viewer simply looked at the information.

I wanted to change the way it was perceived.

Instead of describing the wardrobe analysis through a list of benefits, I wanted to show the feeling a person gets after this service.

---

Idea

During the work process, I came to a simple thought:

Wardrobe analysis is not about clothes.

It’s about the transition from chaos to order.

When there are many items, they seem like a random collection of objects. After analysis, a system emerges, an understanding of one’s style, and confidence in what to wear and buy.

I decided to embed this idea into the composition itself.

---

What I Changed

First of all, I abandoned the static pose of the character.

I wanted the girl not to stand inside the layout but to literally break out of it.

Thus, dynamics, movement forward, and interaction with the viewer emerged.

The hanger was brought to the foreground and directed straight at the camera. Thanks to this, the viewer stops being an observer and becomes a participant in what is happening.

---

Visual Path

I paid special attention to the movement of the gaze.

It was important to me that the objects didn’t just fly around the character but helped tell the story.

Therefore, the clothes and accessories were arranged in a sequence:

Blazer → Bag → Scarf → Hanger → Button

As the movement progresses, the objects become simpler and smaller.

Thus, the composition gradually leads the gaze to the headline and helps convey the idea of transformation.

---

Working with Typography

I didn’t want the headline to look like a separate block of text.

So the letters became part of the space.

They are directed into the scene and work together with the movement of the character and objects.

For me, this was a way to unite graphics and story into one system.

---

Result

In the end, it turned out to be not just an advertising banner.

I wanted to create a sense of movement, choice, and change.

So that the viewer not only understood what the service was about but also felt the result even before reading the text.

Essentially, this project became an exercise in visual storytelling — an attempt to tell a story through composition, movement, and interaction of objects within the frame.
WBH

Interface Design (UI/UX)

WBH
QUIKL — pressure as a source of movement

Corporate Style

QUIKL — not a concept art of a creature and not an illustration of a fictional organism. This is the design of a biomechanical system. The organism was developed as an interconnected structure, where each form is a consequence of rules, not an artistic decision. At the core of the project is the idea of using the external environment as a source of energy. Quikl does not produce movement in the traditional way — it converts the pressure of surrounding water into stored elastic energy and releases it at the moment of jumping. Each element of the organism was designed through function:
— segmented body structure
— compression chambers
— reactive acceleration
… — hydrodynamic adaptation
— heat exchange
— tissue regeneration system
— material limitations and extreme operating modes
The project built the internal logic of the organism:
medium pressure
→ compression
→ energy accumulation
→ release
→ cooling
→ recovery
The form of the organism was not created manually as a decorative image. It was derived from a set of conditions: geometry, biomechanics, states, environmental constraints, and system behavior. The project explores the question:
can an organism be calculated rather than drawn? QUIKL is an attempt to design a living system as engineering architecture.
TOP’ I AM

Interface Design (UI/UX)

TOP’ I AM
Object Typography Exploration
This work began as an experiment with the question:
Is it possible to assemble typography not from letters, but from the relationships between objects?
… The starting idea was simple — each letter should exist as an independent scene and remain readable as a form.
Project rules:
— letters are not drawn directly;
— the object must retain its own logic;
— the form appears as a trace of action, not as a pre-constructed sign.
Examples:
T — a person on a bicycle forms the vertical and the crossbar;
O — a lifebuoy becomes a spatial pause;
P — the action of a fisherman forms the outline;
I — presence instead of construction;
A — the body of an animal creates the shape;
M — the connection between characters becomes the structure of the letter.
During the work, a shift occurred.
Initially, the goal was to create decorative typography.
Later, the focus shifted to another question:
what happens if part of the work is left for the viewer to recognize?
From this came: — different levels of letter readability;
— traces of construction;
— variable density of details;
— local anomalies of materials (glass as an event, not as a style);
— preservation of negative space.
The final idea of the project:
not to illustrate text,
but to build a system where the viewer first sees the world, then discovers the letters, and only after that assembles meaning.
Result:
not object lettering and not illustration,
but an experiment at the intersection of typography × worldbuilding × narrative composition.
Character

Artwork

Character
Social Poker UX/UI Concept

Interface Design (UI/UX)

Behavior-driven multiplayer interface focused on social atmosphere, player psychology, and cinematic interaction design.
The Falling Girl

Interface Design (UI/UX)

An atmospheric hero experience blending whimsical fantasy, dream distortion, and cinematic worldbuilding. The visual direction focuses on emotional movement, surreal perspective, and soft interface integration to create the feeling of entering a living storybook dream.
FORNO Pizza as an Art Form

Interface Design (UI/UX)

An atmospheric food commerce concept focused on tactile glass interfaces, editorial typography, emotional composition, and cinematic product presentation.

The project explores how digital food experiences can feel physical, warm, and emotionally immersive rather than purely functional.#ux#ui
EA3000 An Archive Interface for Post-Collapse Survival

Interface Design (UI/UX)

A dystopian survival commerce system built around archive culture, identity signals, and post-collapse storytelling.
An atmospheric archive-driven interface exploring survival systems, apparel drops, and environmental collapse.
A cinematic survival archive combining dystopian fashion, system signals, and speculative interface design.
COB Future Emotional Commerce Experience

Interface Design (UI/UX)

A future emotional operating system designed for movement, stillness, and quiet digital companionship.
COB explores how interfaces can feel atmospheric, reflective, and emotionally intelligent through:
layered environmental UI
companion presence
… seasonal moods
memory residue systems
cinematic interaction design
slow ambient motion
The project reimagines commerce not as a transaction, but as an emotional landscape that evolves alongside the user.
BLOOM Atelier — Beauty App UI/UX Design

Interface Design (UI/UX)

Atmospheric beauty mobile experience designed with editorial aesthetics, soft glass architecture, and spatial UI principles.
A calm luxury interface focused on emotional interaction, visual depth, and premium user experience.
GRĀNJA — Lunar Beauty Experience

Interface Design (UI/UX)

GRĀNJA is a luxury skincare mobile experience inspired by lunar rituals, quiet transformation, and cinematic atmosphere.

The project combines premium product presentation, immersive visual storytelling, and elegant interface structure to create a calm and emotionally engaging beauty environment.

… The visual language is built around darkness, light diffusion, gold particle systems, and spatial composition — transforming skincare into a ritual experience rather than a standard e-commerce interaction.
Bloom Atelier — Material Intelligence Concept

Interface Design (UI/UX)

Bloom Atelier — Material Intelligence Concept

A contemporary editorial interface built around the idea of living visual systems.

… The project combines pencil illustration, spectral glass refraction and responsive interface behavior to create an atmosphere that feels physical, emotional and quietly intelligent.#ui#ux#hero
System Logic of the Fall

Interface Design (UI/UX)

An exploration of how one moment unfolds through different systems — logic, perception and consequence.
THE KING IS DEAD

Interface Design (UI/UX)

THE KING IS DEAD
The kingdom has changed
A dark throne room. The air is filled with smoke, ash, and a sense of the end of an era. On the dais is an empty throne, soaked in blood. The crown no longer belongs to anyone—it lies at the foot of the throne, a symbol of shattered power.
The main figure of the scene is a warrior, standing with his back to the viewer. His silhouette is tense, the sword lowered, but still ready for battle. He does not celebrate victory—he is aware of the consequences. This is not a triumph; it is a transition.
… The composition is arranged so that the gaze travels from the hero to the throne, enhancing the sense of distance between the action and its result. Light accents—the fire of torches and the cold glow of the interface—create a contrast between the world of the story and the gameplay layer.
The color palette is built on deep reds, blacks, and muted cool tones, emphasizing drama, loss, and transformation.
The interface element "Continue" is integrated into the scene softly, not breaking the atmosphere but complementing it—as an invitation for the player to take the next step in an already changed world.
Evelyn Marlowe — Premium Brand Identity

Corporate Style

Created the visual style of the brand from scratch — from idea to application. Thought through the composition, shapes, and presentation so that everything looked cohesive and felt like a premium brand. #graphicdesign #designer #freelance #brandingdesign #uidesign
Isometry

Interface Design (UI/UX)

Business norm →
falls into the digital system →
an assessment is formed →
it becomes the core of perception →
… and breaks the reality of business
Florist selection scenario: map → list → comparison

Interface Design (UI/UX)

The screen is built around conversion: the user receives context (who is nearby), instantly selects suitable options, and compares them without switching between screens. Each interface element leads to one thing — a quick and confident order placement.
Nirex — Security Flow Control System (UI/UX concept)

Interface Design (UI/UX)

Concept of the security management system interface.
The idea of the project is to present security not as protection, but as behavior control of the system.
The interface is based on the logic: user → action → trigger → system decision → result.
The system tracks events, analyzes them in real-time, and makes decisions based on predefined rules.
… Within the project, the following screens have been developed:
— Main screen (general overview of the system and its operational logic)
— How it works screen (step-by-step decision-making logic)
— Rules configuration screen (Access Control)
— Real-time threat monitoring screen (Live Threat Feed)
— Incident details breakdown screen (Incident Details)
What is shown in the interface:
— user access management
— configuration of conditions and actions (rules system)
— trigger system
— system behavior control
— real-time event monitoring
— transparency of decision-making (from event to action)
Project goal:
To demonstrate how complex system logic can be made understandable, visually clean, and manageable through the interface.
#ui #ux #dashboard #saas #cybersecurity #design #figma #interfaces
Nirex

Interface Design (UI/UX)

Nirex — mobile UX
All logic. One place.
THE KING IS DEAD

Interface Design (UI/UX)

THE KING IS DEAD
The kingdom has changed
Dark throne room. The air is filled with smoke, ash, and a sense of the end of an era. On the dais — an empty throne, soaked in blood. The crown no longer belongs to anyone — it lies at the foot, like a symbol of destroyed power.
The main figure of the scene is a warrior, standing with his back to the viewer. His silhouette is tense, the sword lowered, but still ready for battle. He does not celebrate victory — he is aware of the consequences. This is not a triumph, this is a transition.
… The composition is arranged so that the gaze travels from the hero to the throne, enhancing the sense of distance between the action and its result. Light accents — the fire of torches and the cold glow of the interface — create a contrast between the world of the story and the gameplay layer.
The color palette is built on deep reds, blacks, and muted cool tones, emphasizing drama, loss, and transformation.
The interface element “Continue” is integrated into the scene softly, not breaking the atmosphere, but complementing it — like an invitation for the player to take the next step in an already changed world.
Game UI Concept — Level Intro Screen (Portal Chamber)

Interface Design (UI/UX)

Concept of the game interface for the level start screen. The work is fully assembled in Figma: composition of the scene, visual effects, interface, and UX logic of the screen. The scene shows the moment of portal activation: the character directs magical energy from the crystal, which activates the portal and opens the level. During the work, I: • developed the composition of the scene • added a flow of magical energy and light effects • created the visual center of the scene (portal) • designed the level interface and the action button Start Level • structured the UX logic of the player's gaze movement: character → energy → portal → level start button The work is completed as a Game UI / UX concept for the game level. Tool: Figma #figma #ui #ux #gameui #gamedev #uidesign #uxdesign #gameinterface
Grem — Empath Character Design

Artwork

Graham is an empathetic character.
Graham is a small sensitive creature with a rare gift of empathy. He is capable of sensing the moods and emotions of surrounding beings and gently helping them restore their inner balance.
The main feature of Graham is his antennas, which react to the emotional state of other characters and can change color depending on the mood. Because of this, he feels joy, anxiety, sadness, or inspiration even before the characters manage to share their experiences.
Graham has a special hobby - he collects glowing stars. Each star symbolizes an emotion: joy, hope, calmness, or inspiration. When someone's star dims, Graham helps to restore its light.
… The character is created as a kind guide in the world of emotions. His image combines childlike naivety, the curiosity of an explorer, and a deep ability to understand the feelings of others.
Graham can exist in the format of:
a children's book character
a hero of an animated project
an educational character for children
a character in interactive applications. #design #characterdesign
The Shift

AI Art

"Look at this work. It looks like an illustration for a movie, right? But this is not a random result. I started with the idea of transitioning reality from organic to architectural. I designed this space so that the hero is on the border of two worlds. I managed the light, perspective, and textures to convey a sense of 'materialization.' If you need something that has a deep story, not just a 'picture' — we will work well together."
Point of Reference

Corporate Style

We are trying to figure out life.
To sort everything out.
To understand where the truth is and where our fears are.
On the left - reality.
… On the right - how we explain it.
Between this - a person.
Not a hero.
Not an observer.
But a starting point.
The system is not about control.
It is about clarity.
Sometimes it is not about changing the world,
but seeing where you stand.
And seeing where you stand.
Drawing

Artwork

Drawing
Certificate

Certificate #certificates
First Steps in Creativity” — Children’s Art Kit Packaging

Packaging and label design

Packaging design for a children's drawing set (4+)
The project includes the development of the front and back sides of the box, illustrations, informational structure, and product mockup.
Task
Create clear and attractive packaging for a children's creative set, aimed at both the child and the parent. The packaging should evoke trust, emphasize the safety of materials, and motivate the child to engage in independent creativity.
… Solution
A cohesive visual concept for the packaging was developed, featuring a friendly character illustration, clear typography, and a well-defined information hierarchy.
The front side emphasizes emotions and action ("The child draws by themselves"), while the back focuses on the contents of the set and its benefits for development.
Design features
bright, yet balanced color palette
flat, controlled background without visual noise
clear text structure for quick perception
visual language suitable for a real product and print
Result
Completed packaging design with front and back sides, as well as a product mockup demonstrating the appearance of the set in a real environment. #printdesign #packagingdesign #artist-designer
Back cover of the game

Packaging and label design

Back cover of the board game #printdesign
Game cover

Packaging and label design

Cover of the board game #graphicdesign
Certificate

Certificate #certificates
Ux

Interface Design (UI/UX)

Game prototype. First screen of the game
Decor

Artwork

Handmade decor
Decor

Artwork

Handmade decor
Ux

Interface Design (UI/UX)

Ux
Ux

Interface Design (UI/UX)

Ux#ux#ui
Postcard

Postcard #design #postcard
Art

Artwork

Handmade work transformed into digital
Art

Artwork

Art handmade digital
Art

Artwork

Art handmade vs digital
COP — City Delivery Brand System

COP — City Delivery Brand System

Smart Delivery Identity System by D.Miller

… COP is a flexible visual delivery system of a new generation, created for modern cities where speed, safety, and recognizability become key elements of the service.

The brand combines:

the dynamics of urban rhythm,

the simplicity of navigation,

a friendly visual style,

and clear functionality.

Each element — from the logo to the courier's gear — is designed so that the brand remains recognizable from a distance and in motion.

---

Brand Identity

At the center of the visual system is a courier on an electric scooter, a symbol of ease and mobility. The geometric shape of the sign ensures instant recognition, while soft lines and rounded elements make the image friendly and accessible.

The system was created so that the logo easily adapts:

on forms,

on bags and transport cases,

in digital interfaces,

on urban media.

---

Color Palette

The COP palette is a balance of functionality and modernity:

Primary Dark — depth and reliability of the service

Primary — the signature shade of the city and movement

Secondary — a supportive soft accent

Neutral — background elements for interfaces and print

Accent — a warm point of attention that creates an effect of energy

This palette works in both digital environments and real urban navigation.

---

Brand Application

The brand system was designed for comprehensive application:

Courier gear — a branded jacket that creates trust and a professional image.

Transport bag — a highly visible sign in urban flow.

Identity for print and interfaces — maps, cards, navigation elements, mobile applications.

Each medium maintains the logic of the brand: ease, movement, and structure.

---

Brand Philosophy

COP is not just a delivery service. It is a smart urban ecosystem where every detail creates a sense of clarity, care, and technology.

The brand communicates with users in a simple visual language that is easy to read for both adults and children, as well as tourists.
Art

Art
Art

Art
Stickers

Stickers
Business cards

Business cards
The Nail Temple

Interior Design

The Nail Temple — Conceptual Brand Design

by D. Miller

… ---

About the Project

The Nail Temple is a conceptual project of a premium-class manicure studio, based on the idea of unity between strength and aesthetics. The main goal is to convey a sense of tranquility, status, and inner light through architecture, materials, and color.

The project combines visual branding and atmospheric interior design, creating a space where beauty is felt as energy rather than as a service.

---

Concept

At the core of the idea lies a metaphor:

> "Light breaking through stone."

Black marble with golden veins symbolizes inner strength and calmness, while the soft glow from the cracks represents the manifestation of hidden energy. Each element of the space is designed as part of a visual ritual:

marble and concrete — the foundation;

gold and brass — energy;

light — the breath of the brand.

---

Atmosphere

The interior is built in the style of luxury dark minimalism — minimum objects, maximum sensations. There is no usual brightness of beauty studios: all attention is focused on light, texture, and the feeling of space.

The world of The Nail Temple immerses a person in a state of calmness and concentration, where every gesture of the master becomes part of a visual ritual.

---

Project Task

To create a new typology of beauty space — not a salon, but a place of power, where aesthetics and emotions work together.

---

Result

A visual style for the brand has been developed: palette, fonts, textures.

Key areas of the interior have been modeled — entrance, waiting area, workspace.

The brand philosophy has been formed: "Beauty is not added — it’s awakened."
Logo. Brand

Corporate Style

It all started with the logo. From it, I began to develop the brand idea, shaping the style, atmosphere, and character of visual communication. It contains elements of irony and sarcasm #design #branding
16 USD
"Witch's Halloween: handmade art book"

Print Design

Art coloring book as a gift | Halloween Edition
I am working on creating a unique art book in the Halloween style — it's not just a coloring book, but an atmospheric author project that combines artistic illustrations and a magical theme. Each page is a standalone scene that can be colored, brought to life, and gifted to someone else.

The format is adapted for print — you will be able to print the book in its entirety or individual spreads. I am preparing the project until it is fully completed: from lines to layout, including preparation for printing.
…
An excellent option for a Halloween gift — interactive, creative, and memorable.
#graphicdesign #artbook #custom
16 USD
Embroidery

Clothing design

Ornamental embroidery (author's work)

This work is done in the cross-stitch technique using classic blue on a white background. The composition is built on the principle of symmetry and combines symbols of nature and strength.

… At the top is a solar sign, embodying the sun, energy, and the life cycle.

Below are stylized plants symbolizing growth, fertility, and connection to the earth.

The central element is a bird with outstretched wings, an ancient symbol of freedom, spiritual rebirth, and protection.

Around the composition are decorative diamonds and stars that enhance the rhythm of the pattern and create a sense of movement and light.

The work reflects the balance between heaven and earth, inner strength, and harmony. Such an ornament can be used as a decorative element, part of clothing, or interior embroidery.
Advertising

Print Design

How I work on advertising visuals

I see the task not as "generate an image," but as creating a ready-made advertising solution. When I read the brief, a visual scene immediately appears in my mind: I see the atmosphere, emotions, contrast, and composition. After that, I go into details:

… First — the idea and image. I mentally envision how the picture should work on the viewer's emotions: heat outside and coolness inside; children playing calmly; adults seeing care.

Then — composition. I decide what will be the focus, how the viewer will "read" the picture at first glance. For example: on the left, a symbol of the air conditioner and text, on the right, a lively scene with children.

Next — details. Colors, light, contrast, texture — so that the viewer feels the difference with their skin: stuffiness and coolness.

And the final — print quality. I bring the work to A4 format, 300 dpi, so that the illustration can be immediately used on flyers, in print, and online.

---

This is my approach:

I immediately visualize the solution and show it to the client,

then I refine the details so that the picture works as advertising, not as a random illustration.

As a result, the client receives not just an image, but a ready-made tool for advertising that emotionally engages and immediately conveys the idea.
Without an egg, no way

Corporate Style

Without an egg, no way

Portfolio description:
Advertising poster created in the style of humorous infographics. The work combines bold visual satire and minimalist graphics, making it memorable and appealing to the audience.
…
The idea of the poster is based on the contrast of an absurd image (a black hole and a hero carrying eggs) with a mundane message. Because of this, the advertisement turns into a small meme that easily sticks in the viewer's memory.

Skills reflected in the project:

Development of a creative advertising concept

Illustration in a modern flat style

Use of humor and metaphors in visual language

Preparation of a bright and simple composition for social media and print materials
The city that does not exist

Illustrations & Drawings

City That Does Not Exist

Description:
Illustration in the style of modern flat graphics (flat illustration). A girl is flying over a bright urban landscape, holding a map and a flower with an image of space. The work reflects a combination of fantasy and everyday life: an ordinary urban background merges with elements of dreams and imagination.
…
This work demonstrates my skills in editorial and book illustration, as well as the ability to work with metaphors and symbols. This style is suitable for covers, posters, children's books, and visual stories. #illustration
The Beast of the Shadows

Artwork

Description:
A graphic illustration created in a dark fantasy aesthetic. The work reflects the energy of a wild mythical beast, embodied in the image of a predatory wolf with a fiery gaze and a bristling mane. The contrast of the cold blue shades of the background and the warm red-flame fur emphasizes the tension of the scene and enhances the dramatic effect.

This work was created as part of a concept art practice and can be used as an illustration for:
…
game projects (fantasy, dark RPG, horror),

book graphics,

posters and art books.
Autumn corridor

Illustrations & Drawings

Autumn Corridor

Description:
This work combines the atmosphere of an autumn city and the feeling of an enclosed space that opens upwards. The composition is built in perspective: the houses, as if shifting inward, create a visual corridor that leads the viewer's gaze to the sky, where birds soar freely. Below is a figure with an umbrella walking on the wet pavement among falling leaves.
…
The contrast of warm shades of buildings and foliage with the cold blue of the sky and reflections enhances the drama of the scene. The painting conveys a mood of transition and the search for an exit: from tight walls to freedom and space.

Themes: autumn, urban poetry, loneliness and hope, the search for freedom. #illustration
Melted City

Illustrations & Drawings

This work is a metaphor for inner changes and transformation. The illustration depicts a floating fragment of land, from the depths of which streams of molten lava flow. Urban buildings, seemingly woven from fire and light, slowly melt and flow down, turning into living rivers of fire.

The meaning of the work is to show the state of the inner world that has experienced a crisis and is now disintegrating, freeing up space for something new. Melting here is not destruction, but purification and preparation for renewal.

… Themes: transformation, inner changes, crisis and rebirth, the path to the new. #illustration
Through the reflection

Illustrations & Drawings

"Through the Reflection" — graphic work
Hand-drawn pencil illustration in a graphic style. The composition is built on the combination of realistic and symbolic elements: the figure of a girl and two fantastic creatures look into a large "mirror-window," behind which a scene of urban life unfolds. The atmosphere of the work is metaphorical and mysterious, reflecting an internal dialogue between the world of nature and civilization.

Technique: pencil, graphics, handmade.
Hypersensitivity art

Artwork

"Hyper-sensitivity — a metaphorical illustration"
Atmospheric digital art conveying the inner world of a hyper-sensitive girl. Symbols and objects — a candle, energy, a screen, signs — reflect the process of perceiving signals and emotions from the outside. #illustrations
"Super Sensitivity - Infographic Poster"

Infographics

"Vector poster in the style of infographics. The work is dedicated to the theme of hypersensitivity and visualizes the process of perceiving energy and signals. The composition is built on symbols: candle — inner light, screen with a girl — sensitivity as a window of perception, energy ball — field, block — information filter, lines — streams of emotions, and shapes and geometric signs — symbols of the external world." Vector graphics

#Infographics

… #Poster design

#Illustration
Between Silence and Return

Illustrations & Drawings

Between Silence and Return
50 USD
The Artist's Way

Infographics

Infographic the artist's journey
Resume

Resume
100 USD
Balance

Illustrations & Drawings

Balance is a visual exploration of harmony between opposites.
The Sun and the Moon, light and darkness, the inner and the outer world — all meet at one fragile point of equilibrium.

This project shows that balance is not a static state, but a dynamic process, a constant movement between poles. Visually, the idea is interpreted through three artistic styles:
…
1. Clay Style — soft and trendy, a playful metaphor of balance in the language of modern design.

2. Cinematic Digital Painting — dramatic and atmospheric, like a still frame from a movie, where light and shadow collide.

3. Artistic Symbolism — philosophical and decorative, using ornaments and details to reveal the depth of the concept.

The project cover depicts a circle where the Sun and the Moon meet. At its center stands the word Balance — a symbol of the eternal search for harmony, both in art and in life.

---
Core Message:

> Balance is not a destination, but a journey.
Every choice is a step to hold the fragile harmony between opposites — and in this movement, true equilibrium is born.

Show more 49 jobs

Reviews and compliments on completed projects 3

In the last 6 months 1
More than 6 months ago 2

2 March 70 USD
Character drawings for the game

Quality

Professionalism

Cost

Contactability

Deadlines

Daria completed the task and made all the required corrections, thank you for the work.

Jegor Bogomolov | Personal

9 September 2025 16 USD
Develop embroidery

Quality

Professionalism

Cost

Contactability

Deadlines

Several options were proposed. Quick communication.
For a minimal budget - the performer tried to complete a challenging task.
But so far, none of the proposed options fit 100%.

Yulya Roash | Personal | Response review

8 September 2025 68 USD
Create illustrated books (AI)

Quality

Professionalism

Cost

Contactability

Deadlines

Thank you for the work. Everything is done according to the specifications and on time.

Bogdan B. | Safe

| Response review

Activity

Latest proposals 10	Budget	Added	Deadlines	Proposal
Building a design system using AI 128 USD	128 USD	21 May	5 days
Website creation 135 USD	135 USD	17 May	15 days
2D character for game presentation. 45 USD	45 USD	3 May	3 days
Illustrator for the book (Metaphysical Brutalism) 200 USD	200 USD	3 May	4 days
Test assignment. We are looking for an illustrator for the project. 23 USD	23 USD	1 May	2 days
Portraits in the specified style 16 USD	16 USD	18 Apr	1 day
Develop a series of banners for the website 68 USD	68 USD	14 Apr	6 days
Partial improvement of the design of the existing website and making edits 330 USD	330 USD	14 Apr	10 days	rejected
Need an AI illustrator to create children's illustrations, backgrounds, and characters for a book. 68 USD	68 USD	10 Apr	2 days
Character portraits for a fantasy game (orc / goblin / etc. races) 29 USD	29 USD	10 Apr	1 day	rejected

Daria Osypchuk

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Skills and abilities

Programming

Design & art

Outsourcing & consulting

Writing

Portfolio

Reviews and compliments on completed projects 3

2 March 70 USD Character drawings for the game

9 September 2025 16 USD Develop embroidery

8 September 2025 68 USD Create illustrated books (AI)

Activity

2 March 70 USD
Character drawings for the game

9 September 2025 16 USD
Develop embroidery

8 September 2025 68 USD
Create illustrated books (AI)