Budget: 20 EUR Deadline: 1 day
Good afternoon. I have extensive experience working with images and AI. I am ready to start working.
A worker is required for permanent employment.
The task is to generate images using AI.
A subscription to Midjourney is provided.
There are also ready-made prompts (requests).
Conversion of the obtained images from PNG to JPG in Photoshop using a ready-made Action.
Knowledge of English at an intermediate level and Russian for communication with the client.
On average, it is required to generate at least 1000 images per month = at least 250 pieces per week. More is better.
Payment – 10 cents per image. We will further increase the workload and the monthly number of images.
The task for this project – generation of 200 images. The time commitment for this project is about 5-6 hours.
In terms of money, it comes out to about 3 dollars per hour.
Budget: 20 EUR Deadline: 1 day
Good afternoon. I have extensive experience working with images and AI. I am ready to start working.
Budget: 20 EUR Deadline: 2 days
I can do it, I have experience. I can do everything) Prompt is good. Examples in the portfolio. Write me a private message. I love working with neural networks. Marina
Budget: 20 EUR Deadline: 1 day
Hello! I have experience generating images in other neural networks. If you have a guide for this work, I am ready to give it a try. My English and Photoshop skills are fine.
Budget: 150 EUR Deadline: 5 days
Good day. I work in Midjourney and some other neural networks. We can try to collaborate. But for 200 images, $20 is really very little.
Budget: 20 EUR Deadline: 3 days
Good day. I am professionally engaged in image generation using AI. I work with Stable Diffusion, Midjourney, Flux, Ideogram. I have software for batch creation of prompts based on images. Software for batch conversion of images into different formats. And also for batch writing of tags for stocks. Here are my works Google Drive
Budget: 20 EUR Deadline: 1 day
Is generation possible in Stable Diffusion? I think the quality won't be worse.
Budget: 100 EUR Deadline: 10 days
Good day. I can help. I work in Midjourney and not only. You can take a look at my portfolio.
Budget: 150 EUR Deadline: 7 days
Good afternoon, I am ready to collaborate with you on image generation. I wrote the payment for 200 pictures.
Budget: 20 EUR Deadline: 30 days
Hello, I have a subscription to Midjourney. We can collaborate.
Budget: 20 EUR Deadline: 1 day
Hello, Anna!
I generate a lot in Midjourney, so I have experience. I am ready to collaborate with you because it is very interesting and I have a huge desire. You can view my portfolio on the website, but that's far from everything, as I generate on various topics and in different styles. Write to me privately for details, I will be happy to communicate.
Анно, давайте спробуємо оцінити ситуацію тверезо.
Ваші розрахунки звучать оптимістично, але реальність зовсім інша: при оплаті 5-10 центів за зображення та завданні створити 200 картинок, на виході маємо 10-20 доларів. А якщо хочете заробити 30 доларів на день, то потрібно згенерувати від 300 до 600 зображень. І ви справді вважаєте, що це можливо? Може, ви хоча б один день пробували працювати за такими умовами?
Давайте порахуємо:
Написання промптів. Скільки часу ви готові відвести на це? Чи є ідея створювати 300 однотипних промптів щодня, без варіантів?
Генерація зображень. Навіть якщо Midjourney видає 4 картинки, треба вибрати з них ту, яка хоч трохи схожа на завдання. І як швидко це, на вашу думку, відбувається? Чи всі 4 автоматично зараховуються без жодного редагування?
Збереження. І не просто на диску, а у відповідну папку одразу з ренеймом.
Конвертація у потрібний формат: навіть якщо все робиться через фотошоп і пакетний екшен, це час і ресурс вашого комп'ютера.
Архівування та відправка файлів: не просто клікнути раз, а ще й все акуратно упакувати і переслати, не переплутавши кінцеві варіанти.
Щоб заробити ці 30 доларів, треба працювати без перерви, нонстопом витрачаючи по 12 годин на день на всі ці маніпуляції. Тому перш ніж писати такі сміливі відповіді, спробуйте пройти цей процес хоча б раз. І реальність швидко поставить все на свої місця.
нагрузка на пк, время полный рабочий день на генерацию оплачивается 10 центов ) Вот это я понимаю рабство по современному
На свята в підвалі, де проходять генерації завдяки дизайнеру, прив’язаному до ціпка, халву кришитимуть прямо у щелину. Буде святковий підхід до відзначення трудових досягнень!
Hello! I am looking for an illustrator to create a nonfiction book for children aged 7-9 about the phenomenon of books. The author of the book is quite well-known among children's literature authors. In the book, we talk about how books are created and what a book is in general. Its history, invention, different formats and implementations, printing, editing, about paper and various publishing things. There are 5 chapters that cover everything that might interest a child, from the perspective of the book itself. The character-Book interacts with the reader and her character-Author. There are many illustrations in the form of comic conversations between the Author and the Book. It includes interesting sections such as a book questionnaire, a book diary, and a map of festivals. It introduces the people involved in the book creation process. A total of 80 pages + cover. Examples of possible styles are attached. Collaboration agreement after a test task. I look forward to your applications! Even if you work in somewhat different styles but are interested in the project, I will gladly consider it.
The main focus of the composition is a large Gothic castle located in the center of the back. The castle should be detailed and atmospheric, but not overloaded — it should be the main element of the entire composition. Above and below the castle, I want reworked sun and moon designs inspired by Soul Eater, but executed in a Gothic fantasy style, so they fit better into the overall composition rather than looking like direct elements from anime. I also want Mega Rayquaza (Pokémon) to be integrated into the composition, but more in the background rather than as a dominant element. It should look like part of a Gothic world and not stand out too much. The castle can be complemented with decorative elements such as dark ivy, roses, or other Gothic details if they look good in the composition. If not, they can be omitted. Overall, the goal is a cohesive Gothic fantasy composition for the entire back, where all elements look like one scene rather than separate objects. I hope these sketches help in some way.
It is necessary to redraw the design of the wrestling singlet in vector format. Everything should be done the same way. Only the edging around the armholes and the head should not be done.
Art tasks: Create a bitmap font: numbers and symbols . , x. Draw/design popups: Big Win Total Win Intro HNS screen Fix UI in Figma: align textures so that the states when clicked do not differ visually; add transparency to glass elements. Draw a new logo Draw jackpot inscriptions as separate images: MINI MINOR MAJOR GRAND Draw a preload screen and loader. Adjust the background. Draw a particle for the comet flight into a pile. Suggest and implement other visual improvements at your discretion if they make the game more beautiful. Spine / VFX / Animation: Replace the VFX effect of the win animation of symbols. Beautifully animate all popups. Who we are looking for: We need an independent specialist with good taste who will not just complete the task list but will be able to evaluate the game from the perspective of art and animation and suggest improvements.
Brief for illustration: use one color. That is, the silhouette is formed from a filled color and an alpha channel (openings in the fill) the method of drawing is filling (NOT outline) These must be unique, non-stock illustrations that reflect or hint at the essence of the product The label design will be adapted to the developed illustrations. Accordingly, they can be placed either as a whole (not cropped on any side) element on the label (e.g., Ukravit) or, conversely, the illustration can appear only from the edge of the label (e.g., Alpha Smart Agro), showing only part of the illustration. In the second case, the original file of the illustration should not be cropped exactly at the edge of the label, but have at least some margin for future adaptation to other packaging. All 3 illustrations must be in the same style. Initially, I add the first associations for each product, but each needs to be refined, looking for more interesting elegant solutions. Separate labels: Drift Control Essence of the product. It is poured into a tank for spraying in the field by a drone or sprayer. In strong winds, the spray of the substance is blown away, making spraying ineffective. Drift control makes the sprayed droplets larger (removes fine droplets) Visual associations in the target audience. Drone quadcopter, trailer sprayer for tractor, spray jet. A reference to the quadcopter must be included, at least some element like blades, so that the target audience associates it primarily with drones. The sprayer can also be included, but mixed with the drone or additionally nearby. Foam Suppressant: Essence of the product. During spraying fields, fertilizers, and others in the tank of the tractor/drone and other equipment, the mixture foams inside the tank. This complicates spraying. Therefore, foam suppressants were invented, which literally reduce the amount of foam. In fact, the only function is to remove foam, or more precisely, to ensure that the mixture does not foam at all. Visual associations in the target audience. Foam Super Wetting Agent Essence of the product. When spraying, droplets land on the surface of the leaves. A droplet of the substance spreads over a certain small area. If this product is mixed into the substance, the spreading area of each droplet increases significantly, helping a larger area of the leaf absorb nutrients. Visual associations in the target audience. Leaf + droplet, a droplet that "spreads" into a thin layer, arrows on the leaf (directions at 360 degrees, in which directions the droplet spreads) General brief for the label: We are developing a line of adjuvants that will initially include foam suppressant, drift control, and wetting agent. For the design, we use only two colors + black and white for text and additional elements. You need to suggest these colors. They should not resemble the color palette of any competitors. The composition of the front part of the label consists of an illustration (or its part), the product name, product type (adjuvant), volume in liters, logo (we will provide later, currently in development. Need to leave a little space for it), 1-2 advantages with icons. Product names and packaging: super wetting agent 1L, 5L Foam Control 1L Spray Control 1L, 5L Photos of analogs and sizes of containers/labels maximum sizes of labels: 1L - 270x150mm (length/height) 5L - 135x150mm (length/height) (this is a canister, it is possible to use two labels, on the front and back sides, of the same size) We work only through business safe